The Wizard of West Orange by Steven Millhauser
Author:Steven Millhauser [Millhauser, Steven]
Language: eng
Format: epub
Publisher: Knopf Doubleday Publishing Group
Published: 2015-04-28T00:00:00+00:00
NOVEMBER 21, 3:00. Waiting. A walk in the courtyard. Sunny but cold: breath-puffs. A figure approaches. Bareheaded, no coat, a pair of fur-lined gloves: one of the experimenters, protecting his fingers.
NOVEMBER 21, 5:00. It is possible that every touch remains present in skin. These buried hapto-memories capable of being reawakened through mechanical stimulation. Forgotten caresses: mother, lover. Feel of a shell on a beach, forty years ago. Memory-cylinders: a history of touches. Why not?
NOVEMBER 21, 10:06 P.M. At two minutes before eight, Earnshaw enters library. I rise without a word and follow him into stockroom. Down stairway, into basement. Unlocks door of experimental room and leaves without once looking at me. His dislike of Box is clear. But what is it exactly that he dislikes?
âWelcome!â Kistenmacher watchful, expectant.
Standing against table: the dark figure of a human being, covered with wires and small brass caps. On table: a wooden frame holding what appears to be a horizontal roll of perforated paper, perhaps a yard wide, partially unwound onto a second reel. Both geared to a chain-drive motor.
A folding screen near one wall.
âIn ten years,â Kistenmacher remarks, âin twenty years, it may be possible to create tactile sensations by stimulating the corresponding centers of the brain. Until then, we must conquer the skin directly.â
A nod toward screen. âYour modesty will be respected. Please remove your clothes behind the screen and put on the cloth.â
Behind screen: a high stool on which lies a folded piece of cloth. Quickly remove my clothes and unfold cloth, which proves to be a kind of loincloth with drawstring. Put it on without hesitation. As I emerge from behind screen, have distinct feeling that I am a patient in a hospital, in presence of a powerful physician.
Kistenmacher opens a series of hinged panels in back of figure: head, torso, legs. Hollow form with silken lining, dimpled by miniature electromagnets fastened to silver points. Notice figure is clamped to table. Can now admit a man.
Soon shut up in haptograph. Through wire mesh covering eyeholes, watch Kistenmacher walk over to machine. Briskly turns to face me. With one hand resting on wooden frame, clears throat, stands very still, points suddenly to paper roll.
âYou see? An improvement in design. The key lies in the series of perforations punched in the roll. As the motor drives the reelâhereâit passes over a nickel-steel roller: here. The roller is set against a row of small metallic brushes, like our earlier rods. The brushes make contact with the nickel-steel roller only through the perforations. This is clear? The current is carried to the coils in the haptograph. Each pin corresponds to a single trackâor circular sectionâof the perforated roll. Tell me exactly what you feel.â Throws switch.
Unmistakable sensation of a sock being drawn on over my left foot and halfway up calf. As paper continues to unwind, experience a similar but less exact sensation, mixed with prickles, on right foot and calf. Kistenmacher switches off current and gives source reel a few turns by hand, rewinding perforated paper roll.
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